Join us in Paris…
Paris Je T’aime
Paris, the “City of Lights” is portrayed as the “City of Love” in a short film collection appropriately entitled Paris Je T’aime (“Paris, I love you”). Each short film, eighteen in all, is independently directed and is set in a different arrondissement of Paris. Aside from the location and title of the collection, the directors were not given any instruction on how to direct their contributions.
A general theme of love, but not necessarily falling in love, is evident in all the shorts. Relationships between lovers, families and apparent strangers take viewers on their own journey throughout the anthology, as no doubt each person will find a connection with at least one short. Despite the central theme of love, the collection certainly isn’t all roses as some shorts expose the prevalence of racism and the struggles of less fortunate immigrants attempting to simply get by in the famous city.
Big name performers including Natalie Portman, Nick Nolte, Gérard Depardieu, Elijah Wood and Juliette Binoche appear in the collection. Fans of directors the Coen brothers, Joel and Ethan, will undoubtedly recognise their contribution Tuileries starring Steve Buscemi as a bumbling American tourist committing the faux pas of Parisian public transport: making eye contact with other travellers.
While a pair of smitten mimes channel love in one piece, other pieces focus on different aspects of the theme. Stand out examples include Place Des Victoires, in which Binoche plays a grieving mother who unexpectedly finds comfort in a cowboy (Willem Dafoe) and Quartier Latin in which Depardieu cameos and directs a quirky meeting of two former lovers settling their divorce as both forge new lives with younger partners.
Many of the short films hit the mark when it comes to the performances and directing, but there are a few weaker links in the anthology. For example, Quais de Seine directed by Gurinder Chadha depicts an emerging romance between a young French Muslim girl and a French boy and includes the usual aspects of racism – teenage boys mocking the scarf wearing girl. This is a predictable, feel-good film that felt like a slow opening to a much longer piece. Another off target contribution is the lovers’ quarrel refereed by the ghost of Oscar Wilde (Pere-Lachaise directed by Wes Craven).
Stretching the theme of love is Alfonso Cuarón in directing Parc Monceau starring Nick Nolte and Ludvine Sagnier. Shot in a single take, this film includes a playful and thought provoking twist in its ending. Another creative interpretation of love is Quartier De La Madeliene, which brings a comic book feel to the romance life of vampires – love at first bite.
The two best pieces are Walter Salles and Daniela Thomas’s Loin Du 16e, where the dialogue is almost non-existent thus proving actions speak louder than words, and a monologue by Margo Martindale in Alexander Payne’s 14e Arrondissement. The latter tells the story of an American in Paris, and begins by mocking tourists visiting Paris but ends with a touching confession by a lady that love left behind.
The general feeling of Paris Je T’aime is downbeat due to the numerous stories of sadness and what-ifs. While numerous shorts have amusing moments, the only humorous contribution is that of the Coen brothers. That said, the collection is thoroughly enjoyable as many shorts are long enough to enlighten viewers and provide lasting memories. While it is impossible to love every attribute of an anthology, the less entertaining shorts disappear from the screen almost before you realise your dislike.
If you can’t find a reason to visit Paris in amongst this collection, then the City of Lights just isn’t for you.